Serial Eyes is a full-time course based in Berlin at the Deutsche Film- und Fernsehakademie Berlin (DFFB) from September through May, with visits to London, another European capital and the Séries Mania Festival in Lille. Participants must be available and present full-time throughout the programme.


Applicants must be from the European Union, Iceland, Norway, Albania, Bosnia and Herzegovina, North Macedonia, Montenegro, Republic of Serbia, Georgia, Moldova, Ukraine, or Tunisia. Applicants from other countries may apply for a very limited amount of places on the programme.

Applicants should have at least 1-3 years of professional experience as a screenwriter and should ideally have written at least one episode for a drama or comedy series for a TV channel.

Applicants should enter the programme with multiple ideas for original TV series that could be further developed over the course of the programme.

A high standard of spoken and written English is essential.

Selection Process

Based on the application material, the selection committee – comprised of the Head of Programme and three instructors – will make a first selection considering the author’s voice, skills, style and overall artistic talent. In the second round, we will ask the shortlisted applicants to write a short treatment for a drama episode based on a creative brief and invite them to an online interview with the Head of Programme.

In selecting the twelve participants, we shall also take account of the overall composition of the group (gender/country mix) and the contribution the applicant will make to his/her peers.

Required Application Material (Updated!)

CV with detailed work, training experience and filmography (if applicable)

Personal letter of motivation outlining why you would like to participate in the Serial Eyes programme, your expectations and your professional goals (max. numbers of characters 3800)

Analysis of a scripted TV drama series. The analysis must discuss the main character's emotional arc, the arena (time and setting), the main conflict(s) and the structure of the series (max. numbers of characters 3800)

Proposals for two potential TV series concepts you would like to develop at Serial Eyes ( max. number of characters 2200-2500 each)

A full-length screenplay (feature film, TV drama or comedy) in English. If no English-language script is available, you can submit a full-length script in its original language plus an excerpt of 10 pages from that script translated into English. Scripts should be formatted in standard industry format.

For applicants requesting a tuition fee waver: Scholarship application letter that specifies your financial reasons for the scholarship request

A letter of recommendation in English by a producer or broadcaster

All application materials must be in English and submitted online via the Serial Eyes website


The programme fee is 4.500 € and covers the tuition fee travel from Berlin to Stockholm,  London and Lille and accommodation during the study trips. A monthly public transport ticket for Berlin will be provided for all participants for the duration of the programme.


Serial Eyes offers up to three MEDIA – Creative Europe scholarships for applicants from Low Capacity Countries. Alongside each applicant’s country of residence and citizenship, we shall consider the following criteria in our allocation policy: the participant’s potential in the European audiovisual industry, the participant’s financial situation, their background and the situation of their local film industry. The scholarship covers the full tuition fee of 4.500€.

Low Capacity Countries (as of 24.02.2022) are: Group A: Czech Republic, Estonia, Romania, Greece, Croatia, Portugal, Poland.

Group B: Bulgaria, Luxembourg, Slovenia, Lithuania, Slovakia, Hungary, Latvia, Cyprus, Malta.

The following third countries would also be considered within Group B, subject to the conditions being fulfilled for their participation in the MEDIA strand: Albania, Bosnia and Herzegovina, Georgia, Iceland, Lichtenstein, Montenegro, North Macedonia, Republic of Serbia, Ukraine.



  • Do I need to have had an original drama series of my own creation produced?
  • We do not require candidates to have had their own original show produced.
  • I have previously written for theater and/or movies, but not for television. Can I still apply?
  • We prefer candidates with professional experience in writing for television; however, we consider all previous creative writing experience.
  • I have written and produced documentaries for television, but not scripted drama. Will you consider me?
  • Yes, we will consider a background in documentaries and/or journalism. Just keep in mind that the writing sample and pitch proposals in the application portfolio should feature fictional drama or comedy writing.
  • I have experience as executive producer for series and feature films, but no experience as a writer. Can I still apply?
  • Unfortunately not. We can only consider applicants with professional writing experience.
  • I am currently developing a show with a co-writer or producer. Can I submit that as one of the three pitches?
  • You should submit a story idea that you have developed on your own.
  • Do the stories for the project pitches have to be based in Europe?
  • Your story ideas do not have to be set in Europe.
  • If accepted, am I expected to work on one or all of the three projects that I submit in my application?
  • You may propose projects from your application package to work on, but you will also be expected to develop new story ideas.
  • I am currently developing a project for which I already have commercial bible and/or pilot script. Can I fine-tune it during the programme?
  • You will be expected to work on new projects.
  • I currently have a show in development with an established producer. Can I work on that during the programme?
  • You will be expected to work on new, unencumbered projects without attachments while in the programme.
  • What are you looking for in the TV series analysis?
  • We expect a critical engagement with the premise and characters of the show. You should briefly introduce the show since your readers may not be familiar with it. Then you may want to discuss the elements that make it a "series" (as opposed to a TV movie). Finally, you should discuss what attracts you to the show.
  • For the TV series analysis, must I pick a show from my home country? We really don't have good TV series from my country yet, so it would be difficult to discuss character dilemma or premise.
  • We prefer candidates to discuss shows from their own country, but you may choose a TV series from another European market. You should clarify why you chose that show over one from your own country.
  • How many hours a week is the course or is it done in weekend modules?
  • The programme runs full-time from September through May. Participants should expect to reside in Berlin for the full duration of the programme.
  • How does a typical week at Serial Eyes look like?
  • A typical week (Monday to Friday) at Serial Eyes encompasses classes and days for individual or group writing. Classes start at 10:00 am and end at 4:30 pm.
  • Can I pursue a job while enrolled in the programme?
  • Due to the intensive, full-time nature of the instruction, we do not recommend full-time employment for the duration of the programme.